Christopher Moore

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Christopher Moore
Member of the Faculty of Graduate and Postdoctoral Studies and thereby authorized to supervise theses and Associate Professor
PhD, McGill University
D.E.A. Musicology (Diplôme d'études approfondies), Université de Paris IV – La Sorbonne
Maîtrise Music, Université de Paris IV – La Sorbonne
BMus, University of Ottawa

Pérez 312
Tel.: 613-562-5800 ext. 3568
Email: christopher.moore@uOttawa.ca

Christopher Moore

Biography

Member of the Faculty of Graduate and Postdoctoral Studies and thereby authorized to supervise theses.

Courses and seminars taught
  • Music and Critical Thought
  • Popular Music
  • Music and Politics
  • Research and Methods
  • Seminars on Twentieth Century French Music
Selected publications

Christopher Moore, “A Perfect Accord: Music and Gesture in Francis Poulenc’s Les Biches,” Les Cahiers de la Société québécoise de recherche en musique 13/1-2 (2012): 97-104.

Christopher Moore, “Camp in Francis Poulenc’s Early Ballets,” The Musical Quarterly 95/2-3 (Summer-Fall 2012): 299-342. Winner of the 2012 Philip Brett Award, sponsored by the LGBTQ Study Group of the American Musicological Society.

Christopher Moore, “Music and Politics, Performance, and the Paradigm of Historical Contexualism,” Music & Politics 4/1 (Winter 2010). http://www.music.ucsb.edu/projects/musicandpolitics/archive/2010-1/moore.html

Christopher Moore, "Socialist Realism and the Music of the French Popular Front," Journal of Musicology 25/4 (2009), 469-498.

"Le Quatorze juillet: modernisme populaire sous le Front populaire,"Musique et modernité en France, edited by Sylvain Caron, François de Médicis and Michel Duchesneau (Montréal: Presses de l'Université de Montréal, 2006), 363-387.

Awards and achievements
  • 2012 Philip Brett Award Winner
  • Médaille d’or; prix de perfectionnement (piano) – Conservatoire national de Versailles

Fields of Interest

  • 19th and 20th-century French music
  • Music and politics
  • Music and gender
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